![]() ![]() Zuma is very open, active, and loves to smile. Paw Patrol In Real Life: SKYE is PREGNANT, BUT NOT REAL Funny Pregnancy SituationsPaw Patrol In Real Life: SKYE is PREGNANT, BUT NOT REAL F. ![]() For the final three performances, soprano Elena Stikhina and mezzo-soprano Maria Barakova take over as Leonora and Preziosilla. Paw Patrol, which dog are you most impressed with in the movie To me, Zuma is a great dog. The distinguished cast also features tenor Brian Jagde as Leonora’s forbidden beloved Don Alvaro, baritone Igor Golovatenko as her vengeful brother Don Carlo, mezzo-soprano Judit Kutasi as the fortune teller Preziosilla, bass-baritone Patrick Carfizzi as Fra Melitone, and bass Soloman Howard as both Leonora’s father and Padre Guardiano. Director Mariusz Trelinski delivers the company’s first new Forza in nearly 30 years, setting the scene in a contemporary world and making extensive use of the Met’s turntable to represent the unstoppable advance of destiny that drives the opera’s chain of calamitous events. Yannick Nézet-Séguin conducts Verdi’s grand tale of ill-fated love, deadly vendetta, and family strife, with stellar soprano Lise Davidsen following a string of recent Met triumphs with her role debut as the noble Leonora, one of the repertory’s most tormented-and thrilling-heroines. Later in the season, another cast of world-class singers takes over, with mezzo-soprano Clémentine Margaine reprising her captivating portrayal of the title role, tenor Michael Fabiano as Don José, soprano Ailyn Pérez as Micaëla, bass-baritone Ryan Speedo Green as Escamillo, and Diego Matheuz making his company debut on the podium. Daniele Rustioni conducts Bizet’s heart-pounding score. Dazzling young mezzo-soprano Aigul Akhmetshina leads a powerhouse quartet of stars in the complex and volatile title role, alongside tenor Piotr Beczala as Carmen’s troubled lover Don?José, soprano Angel Blue as the loyal Micaëla, and bass-baritone Kyle Ketelsen as the swaggering Escamillo. Acclaimed English director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day and finds at the heart of the drama issues that could not be more relevant today: gendered violence, abusive labor structures, and the desire to break through societal boundaries. The Met begins the New Year with a vital new production of one of opera’s most enduringly powerful works.
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